By Sarah Thomas, Ph.D., Associate Director, The Lemon Project
The Lemon Project: A Journey of Reconciliation invites you to a free virtual Lemon’s Legacies Porch Talk on Thursday, September 29, 2022. We’re hosting a screening and conversationabout A Crime on the Bayou.
The film screening of A Crime on the Bayou will begin at 4:30 p.m. ET and will be followed by a live virtual conversation with Nancy Buirski (director), Gary Duncan (film protagonist), and Lolis Eric Elie (Author, Filmmaker, Film Subject) at 6:00 p.m ET.
Written and directed by Nancy Buirski (The Loving Story, The Rape of Recy Taylor), this eye-opening documentary had its world premiere at the 2020 DOC NYC Film Festival and is the third film in the director’s trilogy profiling brave individuals who fought for justice in and around the Civil Rights era. Executive produced by Mike Jackson, John Legend, Ty Stiklorius and Austyn Biggers of Get Lifted Film Co and Regina K. Scully, Geralyn Dreyfous, Harlene Freezer, Jules Horowitz, Felicia Horowitz, Brenda Robinson, Amy Tiemann, Mark Trustin and Jamie Wolf. The film also features a new original song, “My Path” written and performed by Raphael Saadiq.
A Crime on the Bayou is the story of Gary Duncan, a Black teenager from Plaquemines Parish, a swampy strip of land south of New Orleans. In 1966, Duncan tries to break up an argument between white and Black teenagers outside a newly integrated school. He gently lays his hand on a white boy’s arm. The boy recoils like a snake. That night, police burst into Duncan’s trailer and arrest him for assault on a minor. A young Jewish attorney, Richard Sobol, leaves his prestigious D.C. firm to volunteer in New Orleans. With his help, Duncan bravely stands up to a racist legal system powered by a white supremacist boss to challenge his unfair arrest. Their fight goes all the way to the U.S. Supreme Court, and their lifelong friendship is forged.
Guest Post by Jennifer Stacy, Highland Council of Descendant Advisors, and Maria DiBenigno, Highland Postdoctoral Research Fellow
William & Mary’s Highland is a 535-acre historic site located in Charlottesville, Virginia and operated by the university. It is notable as the former plantation of the fifth U.S. President and W&M alumnus, James Monroe, as well as 53 women, men, and children who were enslaved by him. We know the names of some of these individuals; others we still seek to know.
Highland conducts ongoing research about its extant buildings and natural resources as well as ongoing community engagement. In 2016, Highland announced its discovery that Monroe’s house has been completely destroyed by fire, and the standing building was a separate Guesthouse built in 1818. This major site re-interpretation allowed us to have conversations about what historic sites get wrong and how we work to tell more truthful stories about the past. This discovery also helped connect Highland’s staff with members of the local descendant community whose ancestors were enslaved at Highland. In 2018, ten of these individuals formed the Highland Council of Descendant Advisors. The Council advises Highland staff on exhibit content, program planning, and community engagement through the concept of shared authority. Members present at regional conferences, including the Lemon Project’s Symposium, work with regional school systems, and interact with W&M students on a variety of topics, including food histories and on-campus concerns.
On Saturday, June 11, the Council hosted their first Descendants Day at Highland. It was an event long in the making. Attendees enjoyed a delicious lunch buffet from Ada’s Kitchen on Wheels, a local food truck owned by Highland descendant, Gloria Saylor, and named for her mother and Council member, Ada Monroe Saylor. The Council welcomed descendant groups and community members from all parts of Virginia, including our W&M partners at the Institute for Integrative Conservation, the Bray School Initiative, the Lemon Project, and Special Collections. Friends from the Historic Brattonsville Descendants Group traveled from their homes in Rock Hill, South Carolina to attend — the Council was so honored by their presence!
By Jajuan Johnson, Ph.D., Mellon Postdoctoral Research Associate
The Oak Grove Baptist Church Historic District in northwest York County, Virginia was granted historic designation by the Virginia Department of Historic Resources leading up to the Juneteenth, a national holiday commemorating the ending of slavery, specifically in Texas on June 19, 1865. Placement on the state register of historic places and eligibility for national recognition is monumental in the church’s history dating back to the early 19th century. The following sites are associated with the Oak Grove Baptist Church Historic District: Oak Grove Baptist Church site on Rochambeau Drive, Oak Grove School site, Oak Grove Cemetery on Rochambeau Drive, and the current Oak Grove Baptist Church on Waller Mill Road.
The Lemon Project collaboration with Oak Grove Baptist Church emerged from the research of Ellie Renshaw, a recent graduate of the anthropology department. Her senior thesis, “Cultivation Through Excavation: Performing Community and Partnership in the Historic First Baptist Project” led to further revelations about “daughter churches” of the Historic First Baptist Church such as Oak Grove Baptist Church, St. John Baptist Church, New Quarter Baptist Church and Zion Baptist Church, all in the Williamsburg/York County area. She connected our team with Mrs. Collette Roots, a leader of the Friends of Oak Grove Baptist Church, a nonprofit organization dedicated to restoring the church building, the two cemeteries tied to the church, and the history of the once Cooktown community where the church is currently located.
The church building and some members were once part of Magruder, a community of African Americans forcibly displaced during World War II to create Camp Peary, a military training ground. The series of forcible removals due to eminent domain resulted in the loss of place and community identity. Last fall, the church members invited Lemon Project researchers to assist with documenting its story through oral history. Generations of parishioners living and deceased were employed by William & Mary and are a critical part of the university’s history. A series of oral histories on the travesty of land loss, the disbanding of communities, and the dynamics of labor and class are unearthing stories tethered to the afterlives of slavery not only specific to Williamsburg but across the nation. Also, Derek Vouri-Richard, a Lemon Project American Studies Graduate Assistant, mined land records to trace the history of land ownership tied to Oak Grove Baptist Church during the turn of the twentieth century.
Recently, the Friends of Oak Grove Baptist Church provided a tour of the church and the historic cemetery, highlighting veteran burial sites dating back to the Civil War, for the National Museum of African American History and Culture’s Community Curation team partnering with the Lemon Project to assist African American communities in curating their own stories. In keeping with the Lemon Project’s goal to be a national model of transformative community engagement and collaborative research, we continue to listen to the stories and assess the ways we can contribute to materializing the vision of our partners. Congratulations to Oak Grove Baptist Church Historic District on cementing its enduring legacy in the York County/Williamsburg area.
Dr. Jajuan Johnson, the Lemon Project Mellon Postdoctoral Research Associate, has spearheaded the Lemon Project Genealogy Initiative. We will continue to hold workshops as part of our Summer Sankofa Series this summer. In early June, we had an insightful talk with Nicka Sewell-Smith. In July, Bessida Cauthorne White joins us for another virtual workshop. She will be presenting on “Recognizing and Sharing Family Treasures.”
Register here to attend this virtual workshop with Bessida Cauthorne White.
Below is the workshop description:
Bessida Cauthorne White will talk about the importance of “Recognizing and Sharing Family Treasures.” Family treasures are highly valued possessions that may have been passed down from generation to generation or they may be newly acquired. They hold special meaning and tell stories about family experiences. They can be almost anything, including jewelry, furniture, housewares, clothing and textiles, photographs, books and documents, photographs, tools, musical instruments, artwork, medals, awards, etc.
White will talk about determining what is a family treasure or heirloom, and she will also discuss how to document the history and significance of family treasures. She will discuss using family treasures to explore and communicate family history and shed light on the broader African-American story. She will share a myriad of treasures from her own family history journey and talk about how she uses them to engage others in the pursuit of family history. A handout for the session will include resources for identifying and preserving family treasures.
Bessida Cauthorne White (B.S., J.D.), has been a genealogist for more than forty years. She is a family historian for nine families and manages DNA results for more than forty persons. An independent community historian, she is co-founder and president of Middle Peninsula African-American Genealogical and Historical Society and a founder of Greater Richmond-AAHGS. White has presented at numerous state, regional, and national workshops and conferences, and teaches genealogy courses at Rappahannock Community College. Recently she has managed several descendant projects, including the identification of the enslaved at Menokin (an 18th-century property in Richmond County, Virginia) and their present-day descendants. White has directed the research and application process for multiple state historical highway markers that reference African Americans in Eastern Virginia, and she presently has three markers at different stages of the application process. She is editor/co-editor of A Reunion of Recipes: The White Family Cookbook (1990), Help Yourself! There’s a God’s Mighty Plenty: A Treasury of Recipes from the Cauthorne & Brooks Families (First Edition 2000, Second Edition 2017), and Gather at the Welcome Table: The Angel Visit Baptist Church Sesquicentennial Cookbook (2016).
By Dr. Sarah Thomas, Associate Director, The Lemon Project
On May 20, 2022, the Lemon Project and the Hulon Willis Association hosted the Donning of the Kente ceremony during the Class of 2022 Commencement weekend. William & Mary’s Donning of the Kente ceremony began in 2012 as a rites of passage graduation celebration open to all graduating students. We are thankful and excited to celebrate the excellence, both personal and academic, of students of color. All graduating students are welcome to participate in this ceremony.
Many students have remarked that one of the aspects of the DOK that made it very special was the opportunity to choose their donner. The donning itself gives students the chance to not only celebrate their accomplishments, but also to recognize someone special in their lives. Students have chosen parents, siblings, friends, faculty, administrators, high school principals, and others to serve as their donners.
We want our graduates (undergraduates, graduate, and professional) to know that their relationship with the university does not end at graduation. A new chapter begins when you become an alumnus and we encourage you all to join the Hulon Willis Alumni Association. The Donning of the Kente Ceremony is the first step in this relationship.
Hearth: Memorial to the Enslaved played an important role in this year’s ceremony. The Class of 2022 was the first class that began its procession to the DOK at Hearth. The graduates also gathered at Hearth for a group photo.
For those who will be graduating William & Mary in 2023, registration is now open! Check out the details and register now to receive a stole and participate in the 2023 DOK today.
The Lemon Project team is excited that genealogist Nicka Sewell-Smith is joining us virtually on June 9, 2022, for “The Trifecta: The Secret Sauce of Researching the Formerly Enslaved.” Thank you to Dr. Jajuan Johnson, who leads the Lemon Project Geneaology Initiative. We’re glad that we can build on the 2021 Summer Sankofa Series Workshops and offer new topics in 2022.
Below is the workshop description that she shared with us:
“Genealogists and family historians alike have spent decades looking for a tried and true method for unearthing slaveholders of those enslaved prior to 1865. Learn how three crucial record sets (Civil War Pensions, the Freedmen’s Bureau, and Probates/Successions) can become just the wrecking ball needed to obliterate brick walls related to slavery.”
Interested in learning more about Ms. Sewell-Smith? Below is the biography from her website. Her website has a lot of useful information, including how to book a genealogy coaching session with her, how to connect with her Patreon community, and where and when she’ll be speaking.
“Nicka Smith is a professional photographer, speaker, host, consultant, and documentarian with more than 20 years of experience as a genealogist. She has extensive experience in African ancestored genealogy, reverse genealogy, and is expert in genealogical research in the Northeastern Louisiana area, and researching enslaved communities.
Nicka has diverse and varied experience in media with a background in audio, video, and written communications. She’s appeared on TODAY Show, CNN, MSNBC, on the series Who Do You Think You Are and has been interviewed by Oakland Tribune, The Undefeated, National Geographic, and TIME. She is the host of BlackProGen LIVE, an innovative web show with more than 125 episodes focused on people of color genealogy and family history.
She is a citizen of the Cherokee Nation of Oklahoma, a member of two lineage societies (Sons and Daughters of the Middle Passage (SDUSMP), National Society of Daughters of the American Revolution (DAR), and a past board member of the California Genealogical Society (CGS) and the African American Genealogical Society of Northern California (AAGSNC). Nicka served as the chair of the Outreach and Education Committee for AAGSNC, and is the former project manager for the Alameda County, CA Youth Ancestral Project where more than 325 youth were taught the value of family history.
Additionally, Nicka is the family historian and lead researcher for the Atlas family of Lake Providence, East Carroll, Louisiana and guides and coaches an active group of family historians at the Who is Nicka Smith Patreon community.
In 2009, Nicka launched ns2 photography following years spent as a happenstance photographer for the publications she worked on in high school and college. She utilizes a journalistic style while capturing high school seniors and weddings. Nicka’s work has been featured on The Africa Channel, Scrubs Magazine, The Bride’s Cafe, and The Oakland Post.”
By Dr. Sarah Thomas, Associate Director, The Lemon Project: A Journey of Reconciliation
William & Mary celebrated the dedication of Hearth: Memorial to the Enslaved on May 7, 2022. We are excited to share with you photos and the video from the event. Thank you to Skip Rowland, ’83 for the photos and Jeff Herrick and his team for the video.
By Derek Vouri-Richard, Lemon Project American Studies Graduate Assistant, 2021-2022
On May 23, 1899, husband and wife Samuel Harris and Joanna B. Harris sold land in the Burton District of York County, Virginia to Charles Bartlett, a Black miller and farmer. This land would become the present-day location of Oak Grove Baptist Church. Oak Grove grew out of the First Baptist Church of Williamsburg, Virginia, which was founded by free and enslaved African Americans in the second half of the eighteenth century.
In the late nineteenth century, First Baptist members from York County began establishing their own religious meeting place in the Magruder neighborhood of York County. The Magruder neighborhood served as the home of Oak Grove from the turn of the twentieth century to the early 1940s. In the early 1940s, the Federal Government displaced the church by acquiring the land on which Oak Grove was located through eminent domain policies to develop a military complex. As a member of Oak Grove in the 1940s, Bartlett helped the church establish a new home by selling land he owned to the church. In 1949, Bartlett sold to Oak Grove the land he purchased from Samuel and Joanna Harris in 1899. The history of Oak Grove and the land on which it currently stands is part of the Black mobility and local economy of the Williamsburg area throughout the turn of the twentieth century.
Samuel and Joanna Harris were prominent Black business owners in Williamsburg. In the 1870s, they opened a retail store in Williamsburg, Harris’s Cheap Store. The store sold a variety of goods including dry goods, clothes, furniture and appliances, and clocks and jewelry. It attracted customers outside Williamsburg through the store’s proximity to the Chesapeake and Ohio Railroad. The Harrises purchased land in Williamsburg and the surrounding area as their business grew. In early 1896 Samuel Harris purchased the York County land that he would later sell to Charles Bartlett in 1899. Harris purchased the land in 1896 in a public auction from Richardson Leonard Henley, Bathurst Dangerfield Peachy, and William Henry Edloe Morecock.
The real estate venture between Harris and Henley, Peachy, and Morecock connects the current Oak Grove land to white Williamsburg area residents and institutions of the late nineteenth century. Henley was a lawyer and judge with a law practice in the Williamsburg area. Peachy was a lawyer, owner of the Williamsburg Millinery Company, and real estate venturer. Morecock was a court clerk, merchant, and Secretary to the Board of Visitors for William & Mary from 1877 to 1890. More research needs to be done to further uncover connections between Oak Grove and its land and Williamsburg area people and institutions.
By Caroline Watson, Lemon Project Anthropology Graduate Assistant
A common expression in archaeological communities is that theoretical interpretation happens “at the trowel’s edge”. While this expression falls trite on my ears, what it implies is actually quite important for archaeologists, and those conducting research more broadly, to remember. There is no “neutral” moment in archaeological interpretation. Research questions are defined by specific and sometimes exclusive interests. Decisions regarding excavation locations tend to be controlled by the entity funding the work. Materials that come out of the ground are immediately observed and later classified according to object type and perceived function. Finally, where and how archaeological collections are stored also depends on the result of this interpretative process.
In some ways, this process is not purposefully harmful. I’d like to believe most archaeologists do their best to work with reference collections and available published literature to make sure they’re classifying their findings in the most appropriate ways. Nevertheless, artifact classification, especially when approached uncritically, becomes harmful through exclusionary acts. In the case of William & Mary’s archaeological collections, we know a lot about what types of artifacts were used on Historic Campus over the years, but we lack a critical inquiry about who these objects are associated with.
My ongoing documentary analysis of the records and reports relating to archaeology at William & Mary reveals that most archaeological work done on campus has not been guided by the interest to know more about William & Mary’s history with slavery. When archaeological projects at their very core are not designed to question or consider the African and/or African American presence on campus, then how will we ever be able to associate excavated materials with this identity? Archaeologists who assume a “neutral” identity for artifacts until proven otherwise end up, in one way or another, upholding the narrative of campus as an historically and predominately white, elite space. Neutrality is rarely possible. All objects are found within a geographical and sociocultural context. Thus, in a setting like William & Mary, when archaeological findings are taken “as is”, their neutral identity by default is white and colonial. In turn, the artifacts that get flagged as potentially embodying an African or African American identity on campus are the ones we view as being most obviously not white. The marble that was incised with an “X” design found in the north Wren yard has been interpreted as a potential gaming piece used by enslaved people. A cowrie shell, found nearby and within the same stratigraphic level (so, similar time period), may have been a piece of adornment or a medium of exchange for an enslaved person. We value these artifacts for the window, however so small, they provide into the material lives of enslaved people on campus. Yet, what about the tobacco clay pipes, clothing materials, and countless cooking and drinking vessels that have been found on campus in similar locations? We fail to link these materials to non-white identities, which further relegates African Americans on Historic Campus to the “unique” objects and thus margins of William & Mary’s material history. Without a critical examination of our own classification norms, there will never be a broader space for African Americans in William & Mary’s archaeological collections.
I propose we think of William & Mary’s campus and the materials that lie both above and underneath its surface, as an archive. This archive is not a neutral or passive place, but a carefully picked model and the result of several layers of power-laden decisions. Archaeologists working on campus and with campus artifacts hold one form of this power and thus face the certain decision to either uphold campus as a colonial archive or work to expose it. There is much work to be done to get at a more holistic understanding of the material lives of enslaved people at William & Mary. This may require more digging, or maybe it simply requires us to establish a new relationship with the collections we already have. Regardless, perhaps the question we can all start with is, “who are we doing this work for?”.
Image: Screenshot from Higgins III & Underwood 2001: 72, showing incised marble and cowrie shell.
 Higgins III, T.F. & J.R. Underwood (2001). Secrets of the Historic Campus: Archaeological Investigations in the Wren Yard at the College of William and Mary, 1999-2000. WMCAR Project No. 99-26. William and Mary Center for Archaeological Research. This is a really extensive report—I suggest checking it out!
 This idea was born out of a broader paradigm shift in archaeological theory that sought a more critical examination of the archeologists’ positionality, authority, and role in knowledge verification. If you’re curious about where this all started, see Hodder, Ian (1997) Always momentary, fluid and flexible: towards a reflexive excavation methodology. Antiquity 71: 691-700.
 There has been one archaeological excavation that specifically designed its research questions to address the history of slavery on campus. See Monroe, E.J. & D.W. Lewes (2016). Archaeological Assessment of a Site near the Alumni House and the Early College Boundary, College of William and Mary, City of Williamsburg, Virginia. WMCAR Project No. 15-07. William and Mary Center for Archaeological Research.
By Dr. Sarah Thomas, Associate Director, The Lemon Project: A Journey of Reconciliation
The dedication of Hearth: Memorial to the Enslaved is on Saturday, May 7, at 2 p.m. We are excited about this monumental occasion and look forward to introducing Hearth to you all.
Thanks to the efforts of the Lemon Project Committee on Memorialization (LPCOM), led by Dr. Jody Allen, the Memorial Building Committee, co-chaired by Dr. Chon Glover, many William & Mary staff, faculty, and students, the architectural firm Baskervill, and the construction company Kjellstrom & Lee, and many, many others, Hearth: Memorial to the Enslaved is nearing completion.
The bricks of Hearth: Memorial to the Enslaved, and the bricks near Hearth tell stories about William & Mary’s past, present, and future.
As you approach Hearth, you’ll notice the darker granite bricks. Many of those granite blocks have names and dates on them. These are the names of enslaved people who were owned or rented by William & Mary or owned by people (Presidents, Board of Visitors members, Faculty, Staff, Students) during their time at the university. Many granite blocks are also engraved with the word “Unknown” and a date; some are engraved with “Unknown,” an occupation, and a date. In those cases, we had glimpses of enslaved people in archival records, but those keeping the records did not include their names. Some granite blocks have no names, known or unknown, or dates. When the Lemon Project team finds more enslaved people associated with William & Mary in the records (and we will!), their names will be engraved on those granite blocks.
You will also notice a small section of six bricks near the Hearth’s base. In contrast with the darker section of interior bricks near Hearth’s center, these bricks are framed and look old. They are! These are historic bricks, found by a team led by Dr. Susan Kern, then Executive Director of Historic Campus, in the summer of 2019. During a project to widen the brick pathway to the Wren Building, workers discovered an early 18th-century drain. The drain’s access point was unknown prior to June 12, 2019. Archaeologists Nick Luccketti ’71, Andy Edwards ’71, and William & Mary Center for Archaeological Research staff uncovered this drain and were able to view its interior. Enslaved people constructed this vaulted drain, accomplishing brickwork that required both skills and knowledge. Enslaved people also made the bricks. It is only fitting that historic bricks from this early 18th-century drain are forever part of Hearth. We can get a glimpse into the lives and labor of enslaved people in early 18th-century William & Mary through the drain bricks.
Having the Memorial within or directly engaging with Historic Campus is crucial. As you will see, the Memorial and the Wren Building are in conversation with each other. Enslaved people made the bricks that became the Wren Building, and enslaved people built (and rebuilt) the Wren Building. Enslaved people also lived in the Wren building, as did faculty, staff, and the President (until the President’s House in 1732). From fires and rebuilding to graffiti and repair, the bricks tell many stories about the Wren Building’s history, and enslaved people are a large part of that history.
Lastly, you have probably noticed that a brick wall surrounds much of the oldest part of campus. This wall was constructed in the 1920s and 1930s during the height of the Jim Crow era. Many African Americans who live in Williamsburg and the surrounding areas view this wall as a barrier between them and William & Mary. The Lemon Project team works to tear down physical walls (like this one) and walls in people’s minds while we build bridges between William & Mary and African American communities. Hearth: Memorial to the Enslaved interrupts this brick wall, and during the groundbreaking, President Rowe, President Emeritus Reveley, and Robert Francis Engs Director of the Lemon Project Jody Allen tore down a section of the 1930s brick wall. This broken-through wall represents the Lemon Project’s work to build bridges and repair relationships through reconciliation and healing.
We can arrive at a more complete history of William & Mary. One way to do this is to explore the bricks in and around Hearth: Memorial to the Enslaved. Join us as we use these bricks to tell stories about people of the university’s past, present, and future.